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Writer's pictureBrenna Reistad

Sacred and Divine

Updated: Apr 29

VICTORY MONUMENTS


 Warriors often dedicated miniature versions of armor in thanksgiving for their survival (79.4). This cuirass recalls the dedication of the enemy’s armor as a tropaeum (trophy, as on 83.189)  by a general at the site of a victory. In art, dejected prisoners were  often shown at the foot of such tropaea (82.253). These coins include  images of Nike, the winged personification of victory.



Votive Cuirass

 Votive Cuirass

4th century BC

Copper alloy

Adolph D. and Wilkins C. Williams Fund

79.4


Roman (Mint: Alexandria)

Drachm, ca. AD 138—61

Side A: Antonius Pius

Side B: Nike crowning trophy

Gift of Dr. Marvin Murray

83.189



Cybele Riding a Lion / Kybele Riding a Lion

Roman

Cybele Riding a Lion (Primary Title)

Kybele Riding a Lion (Alternate Title)

Late 2nd Century AD

Alabaster

49.10.31


“If ever a foreign-born enemy brings war to Italian lands, he can be driven from Italy and defeated if the Idaean Mother [Kybele] is brought from Pessinus to Rome.” – Livy, History of Rome


During Rome’s war against the Carthaginian general Hannibal, a prophecy was discovered in Rome’s sacred texts, the Sybillene books, that the Romans could defeat a foreign enemy only if they brought the goddess Kybele from Anatolia (in modern Turkey). Thus, in 205 BC, the cult of Kybele (including her priests) was introduced into Rome. This small-scale statue of Kybele (Magna Mater or “Great Mother”) riding on her frequent companion, a lion, was perhaps a votive offering or part of a household shrine.



Red-figure Nolan Amphora (Storage Vessel) 

Attributed to, Berlin Painter

active 5th century BC

Greek (Attic)

Terracotta

82.204


The Berlin Painter, a master of perhaps the greatest era of Greek vase painting (the late Archaic and early Classical periods), specialized in the human figure, usually shown on a ground line against a plain background. On this vase, the kithara identifies the male figure as Apollo, who pours a libation (offering) onto an altar. Libations were offered before meals, symposia, and other public and private gatherings. The goddess Artemis, Apollo’s sister, appears on the other side bearing her bow and quiver on her back.




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